Martin Rayla has a great thread over on Treasure Tables about using music in your game. He's not talking just about having something going on in the background, but also crafting a soundtrack that matches the expected actions, fights and drama that the players will be experiencing.
On this edition of Radio Active I've got some thoughts on GenCon 2007 and Podcamp Philly, catch folks up on what's happening at Nuketown, try and figure out what it takes for me to buy a Mac, discover the BioShock soundtrack, stop by Vegas After Midnight, delve into the D&D Insider, contemplate the Master Plan Podcast and review the pile of gaming goodness I picked up at GenCon.
I've been losing myself in BioShock for the last three weeks or so, fighting my way through a pseudo-Randian dystopia that's as engaging as it is beautiful. Part of what makes the game so exception is its soundtrack, which is by turns cinematic, classical and terrifying. Now you can enjoy composer's work outside of the game by downloading the soundtrack for free from the BioShock web site.
Let's just file this under "freaking awesome." The idea is to loft flying wind farms that sit in the high-altitude jet streams (which are far stronger and constant then winds generated at surface level) and then send the power back to folks on earth. Power would be sent back to the ground through a tethering cable. Sounds crazy, but now's the time for crazy ideas. A test wind farm will be lofted sometime in the next few years.
ok, I may be old fashioned in this, but why the hell can't we have just one law that applies to all forms of reckless driving, and leave it at that? Do we really need to outlaw each and every new device that comes down the pike? If you're doing something stupid, and cause and accident ... you get busted. Simple as that.
For a while, it looked like the Unconference was going to live up to its name: while Podcamp Philly had a list of proposed seminars, we didn't get a concrete schedule until Wednesday. No worries though -- Podcamp's organized chaos congealed at the last moment, providing a rambling structure to a Saturday full of podcasting goodness.
The chaos lurked just behind the corners as folks tried to use the guest ids scribbled on whiteboards around the Drexel University classrooms to log into the wireless network … at least until they figured out that the IDs only worked on the lab computers. Wired connections for the wandering bands of Mac, Windows and Linux laptop owners were scrounged however, giving rise to deep-sea scuba-like drama as people swapped Ethernet cables back and forth to share net connections.
The sessions were about what you'd expect at any conference: some good, some blah, with the best ones being those that encouraged audience participation (the exception being Apple's GarageBand session, which gave a lightning fast overview of the software, but still managed to provide some helpful insights into it. Of course, the conference itself was free, which gives it an edge up over many conferences I've gone to that had so-so seminars but cost a few hundred dollars.
Presented by Mike Wolk, Senior Systems Engineer, Apple Inc.. He provided a quick overview of how to use GarageBand to record podcasts and enhance them with photos and web addresses. I knew a lot of this, having used GarageBand before, so I'm just focusing on what I didn't know.
If you right-click on a photo in Safari, you can add it right to your iPhoto Library
Need to record your lectures with PowerPoint/Keynote slides? Use Profcast to record, then edit in GarageBand.
Presented by Rick Glasby, Crashbang Digital, who discusses what mic to use, where to record, and how to tweak your audio setup.
Which mic to use: you want to use some sort of condensor mic:
- Samson CO1U - cardioid sensor
- Audio Technica AT2020 - phantom power, cardiod sensor
- Blue Snowball Mic (cardiod or omni directional, about $100, USB connection).
- Alesis USB podcasting mic (usb, stand, headphones)
- Tascam US-122LTNT (requires mixer, but uses a USB mixer)
Start off with round-table introductions and thoughts about statistics. Ideas include:
- Know Your Audience - engagement
- FeedBurner - RSS feed, media
- Know Your Web site - Google analytics, wordpress.com
What's your goal:
The workshop's popular enough to push us into an overflow room. That means we can't interact with the presenter, but we do have wired connections and power! Mark is using Cubase on the Mac. Starts off talking about the ancient old days of tape editing, then transitions to digital editing.
First up, the clean cut, doing simple editing of clips with little background noise.
I'll be in Philadelphia today for Podcamp Philly at Drexel University.
In addition to meeting up with Doug of Geek Acres and some other Pennsylvania podcasters, I'm going to be attending a number of sessions; here's my tentative schedule: