If I ever get back to writing my Libertarian Gamer columns, I'll be sure to do one on the Living Dead. Zombie flicks have had political overtones almost since the beginning reaching their pinnacle with George Romero's Dawn of the Dead. Reason.com writer Tim Cavanaugh surveys three books on the subject -- including my favorite Pretend We’re Dead: Capitalist Monsters in American Pop Culture by Annalee Newitz -- and offers his own thoughts on the subject matter:
Frak has gone mainstream. In the article "The curse word 'Battlestar Galactica' created" looks at the science fiction origins of the word, and how it's been creeping out of fandom, and into non-genre use.
The Dark Knight is brilliant. It’s intellectually challenging. It’s psychologically terrifying. And there’s a damn good chance it’ll scare the living daylights out of your 13-year-old.
This shouldn’t come as a surprise to those who saw Batman Begins. The movie hews close to the comic books, which have run to the dark side ever since 1986’s The Dark Knight Returns by Frank Miller. Miller’s re-imagined Batman lived in a brutal, gritty world in which hope was a distant dream rarely realized. It’s a tradition that continued in some of the best Batman stories since then, such as Batman: Year One and The Long Halloween.
I remember when LOST jumped the shark. It was the episode dedicated to the mystery of Jack’s tattoo. It was an inane episode, one that existed entirely to buy time for the writers, while simultaneously keeping a popular character on screen for the majority of an episode. The episode could have been good – after all, LOST is all about those weird coincidences and strange meanings of every day occurrences. By this point in LOST’s evolution though, we had enough mysteries. We wanted answers. We got a tattoo.
Don’t watch The Mist. You may think you know how things go, having read Stephen King’s short story of the same name. You might like horror and think, "tentacled monstrosities from beyond the edge of time? I can deal with that."
But trust me. If you’re a geek dad or mom, and the kind of person who’d fight to the very end to protect your family, you don’t want to watch this movie. Hell, I watched it, and I wish I could unwatch it.
Yeah, it’s that disturbing.
Why was the the Looking Glass station setup to connected to Penny's office?
We don't know where Penny, or more specifically, her father and his corporation, fits into the larger LOST conspiracy, but I think its safe to say that Ben is interested in anyone who's interested in the island. My guess is that the Looking Glass station was used as a spy station in addition to being a communication jamming station. It likely uses the island's strange properties to spy on the mainland. Thus the reason why Looking Glass was able to contact Penny; they'd been watching her office all along.
Why did the new arrivals flash back while everyone else is flashing
Because the new arrivals are flashing forward, at least relative to the Island's place in the time stream. It's been clear for a while that time on the island moves differently from that of outside; this was confirmed in Episode 3, Season 4 with the rocket experiment, as well as the teenage Walt's appearance on the Island at the end of Season 3. I don't think that travelling to the island is exactly the same as travelling backwards in time; it's more like it takes you out of the time stream. Think of the island as a rock in the middle of a river; once you stand on it, time just keeps slushing by.
Why does Naimi have a flashforward if she's dead?
If you're like me, you saw the shelf-based Dock for Mac OS X Leopard and thought ... hey, I could put some heads in a jar on that! And now you can, thanks to the Futurama "Heads in Jarks" icons from Icon Factory. I give you my ... "Al Gore's Head in a Jar" Dock! (which will be even better once 10.5.2 is out, and you can assign icons to Stacks).
With November’s Herculean feat of creativity behind me, I’ve turned my tired eyes back to the DVD player and the stack of Netflix envelopes that piled up during my self-imposed exile to my third-floor office.
Included in this horde of discs was the first disc of Buffy the Vampire Slayer, Season 4 (in which Buffy and the Scooby Gang go to college), the Bruce Willis action flick Live Free or Diehard (in which technophobe John MacClane must save the world from hackers) and the one shot episode Battlestar Galactica: Razor (which tells the story of the Battlestar Pegasus's escape form the Cylon's burtal assault on the 12 Colonies).