Why was the the Looking Glass station setup to connected to Penny's office?
We don't know where Penny, or more specifically, her father and his corporation, fits into the larger LOST conspiracy, but I think its safe to say that Ben is interested in anyone who's interested in the island. My guess is that the Looking Glass station was used as a spy station in addition to being a communication jamming station. It likely uses the island's strange properties to spy on the mainland. Thus the reason why Looking Glass was able to contact Penny; they'd been watching her office all along.
Why did the new arrivals flash back while everyone else is flashing
Because the new arrivals are flashing forward, at least relative to the Island's place in the time stream. It's been clear for a while that time on the island moves differently from that of outside; this was confirmed in Episode 3, Season 4 with the rocket experiment, as well as the teenage Walt's appearance on the Island at the end of Season 3. I don't think that travelling to the island is exactly the same as travelling backwards in time; it's more like it takes you out of the time stream. Think of the island as a rock in the middle of a river; once you stand on it, time just keeps slushing by.
Why does Naimi have a flashforward if she's dead?
If you're like me, you saw the shelf-based Dock for Mac OS X Leopard and thought ... hey, I could put some heads in a jar on that! And now you can, thanks to the Futurama "Heads in Jarks" icons from Icon Factory. I give you my ... "Al Gore's Head in a Jar" Dock! (which will be even better once 10.5.2 is out, and you can assign icons to Stacks).
With November’s Herculean feat of creativity behind me, I’ve turned my tired eyes back to the DVD player and the stack of Netflix envelopes that piled up during my self-imposed exile to my third-floor office.
Included in this horde of discs was the first disc of Buffy the Vampire Slayer, Season 4 (in which Buffy and the Scooby Gang go to college), the Bruce Willis action flick Live Free or Diehard (in which technophobe John MacClane must save the world from hackers) and the one shot episode Battlestar Galactica: Razor (which tells the story of the Battlestar Pegasus's escape form the Cylon's burtal assault on the 12 Colonies).
The H.P. Lovecraft Film Festival 2007 will be held October 5-7 at the historic Hollywood Theatre in Portland, Oregon. It will include eight feature films, 13 special guests, discussion panels, world and regional premieres, There will also be Lovecraftian vendors, multiple door prizes, and more than 20 short films.
Tickets are $12 per day per person on Friday, $15 per day per person on Saturday, $15 per day per person on Sunday. Advance tickets can be purchased at http://www.hplfilmfestival.com.
According to the organizers:
The 14th annual H.P. Lovecraft Film Festival shall prove to be our most exciting festival yet. This year we have some great films lined up along with thought provoking discussion panels and compelling live events."
Heroes has continued to impress since returning from its December/January hiatus, consistently delivering episodes that have answered important questions while ratcheting up the serialized tension.
For any other series, last night would have been a season-ending clifhanger of epic proportions. But in an example of why Heroes is such a damn good show, they don't play for the cheap, easy shows that end up stretching out the story's continuum for years on end (like say, LOST). Instead, they take us to the future -- five years into the future -- and show us the consequences of not saving the world.
Revolution SF has apparently run out of things to watch, because they're crawling back through the annals of time looking for classic geek movies that should be -- but aren't -- available on DVD.
Here you fill find The Blind Swordsman's Pilgrimage, The Wizard of Speed and Time, Twilight Zone: The Movie and, umm, The Star Wars Holiday Special. Hey, they didn't say it was a list of great movies, just ones that geeks will enjoy (or enjoy hating).
Drivl gives a rundown of how coding works in the real world, as opposed to how Hollywood thinks coding works. Gems include "Code does not move", "Code is not three dimensional", "Code does not make blip noises as it appears on the screen" and "Most code is not inherently cross platform" (which means that Apple laptops shouldn't be used to take out alien motherships, and Dells shouldn't be able to connect to myriad Gou'ald and Ancient devices.
Universal is planning a remake of John Carpenter's classic sf horror film The Thing. It will be written by Ronald Moore of Battlestar Galactica fame but no director has been announced. Other reports I've read suggest this may be more of a prequel than a straight-forward remake, in which case my opinion change. I can stomach a prequel, particularly one focusing on the Norwegians finding the downed spaceship and exploring it, but a straight-up remake/reimagining/rewhatever simply isn't needed.